Nana by Ai Yazawa

I’ve been away from MangaKast for a little while because I fell into all 21 volumes of Nana, a rock and roll romantic tragedy about two women with the same name.


Yeah, it’s been over a week and I’m only just now coming up for air.

Wow, what a ride. I went into it happy to have found another mild slice-of-life story, and by the end I was like, “Wā! Such a soap opera! It can’t end like this!!!”

Of course, when I started Nana, I thought it was complete at 21 volumes, (this will teach me to do my research after picking up a series; I should have learned after Kill la Kill!) Instead, the story skids–almost literally–to an end.  According to Wikipedia, Nana went on an ‘indefinite hiatus’ due to Yazawa-sensei’s illness. Wikipedia seems to imply that the story could continue, but there’s been nothing since 2009.

Which is a shame, because I ended up really enjoying this one… despite myself.

I wouldn’t have thought a sappy romance story about a Japanese rock band would be for me, but, what can I say? I’ve been such a sucker for this kind of thing lately.








The meet-cute for Nana is based on the title: two women with the same name, who meet, by accident (or is it fate?) on the train to Tokyo.  Both of them are headed out to start a new life in the big city.  Nana “Hachi” Komatsu, our main character, is following after a boyfriend… something she does a lot.  Nana Osaki is striking off to start a career in music…sort of also following a boy, but also not.

I shouldn’t like either of these women.  Both of them are really fairly dependent on their men/the men in their lives, but I ended up really liking their friendship… and the resulting emo/drama.

Nana Komatsu gets her nickname from Hachiko–the famously loyal dog.  In the end, she earns that nickname in a powerful way, but initially Hachi is more like the yappy annoying dog that follows Nana around.  Which is weird, since Hachi is the main character. We start the story with her and her love-at-first-sight problems, and she remains the narrator throughout, even when the action is more focused on the rock star drama.

And, OMG, the rock star drama.

Nana Osaki is a troubled woman. Her boyfriend Ren was the bass player in the band she started in high school, “Black Stones” (“Blast,” for short).  She and Ren are very much modeled on the punk rock icons, Sid and Nancy, complete with drug addiction.  Except in this, Ren leaves Nana’s band to become the bassist for a more successful group that already has a record label, “Trapnest.”  Determined to beat “Trapnest” on the charts, Nana moves to Tokyo and reforms “Blast” without Ren.

Hachi’s part in all this is to be an early fan, a supporter through tough times. That is, until she randomly sleeps with the guitar player from Ren’s band, a guy called Takumi… and gets pregnant. Even though, she was kind of seeing someone in Nana’s band, a kid called Nobu.

You see the soap opera drama?

Yeah, and like I said, I totally got addicted to each twist and turn. I can see how this series became a best-selling shoujo title, even though the main character is stuck in kind of an awful situation, since she ends up marrying Takumi, despite him being a womanizer and a cold-fish and Hachi still mostly loving Nobu best. I say “mostly,” because this is josei, so Hachi kind of loves the one she’s with, even though that’s not at all a satisfying story. (This is why josei drives me crazy.)

There’s this huge push-pull between Ren and Nana that’s never resolved.  Speaking of things I hate about ‘josei,’ a random car accident happens and a major character dies and then people disappear and no one is happy, THE END.

To be fair to Yazawa-sensei, she didn’t necessarily intend to leave it where she did.  You could see, however, from the flash-forwards she started giving us several chapters before the hiatus, that she’d planned for the tragedy and its aftermath.  So, it’s safe to say that this josei ended much like the other one that famously burned me, Kids on the Slope.

Yet, I can’t say I didn’t enjoy the ride in both instances.  So, would I recommend it? Yep. Just be prepared to get to the end and have this reaction:


I literally spent this morning while doing the dishes (a time I usually watch anime), starting out the window with an expression much like the usually unflappable Takumi (the guy with the dark, long hair).  Internally, I had Kobu’s expression, because what happens in this manga is legitimately traumatizing.

Good story, though. Really not my usual, but it was very good none-the-less.

If you prefer to watch rather than read, you have two choices. There was a live-action movie made as well as an anime. (The Hulu link said it was unavailable for me and I didn’t try out the KissAnime link, so I can’t vouch for the quality/availability of either of them.)


Princess Jellyfish (vol 05) by Ahiho Higashimura


This volume contains chapters 45 to 54.  Considering that MangaHere has 81 chapters, we’re only at about the halfway point.





I keep waiting for the plot to progress beyond what I skimmed in the Wikipedia’s entry for the anime, and it’s really not rushing to get there.

Mostly, this is becoming a romance.

Tsukimi and Shuu (with the help of the smooth-operator chauffeur, Hanamori,) go out on a bunch of dates which culminate in an awkward proposal.  They end up on a rooftop restaurant during a blustery evening and their hands touch while both reaching for a falling candelabra:


She says ‘yes,’ but, of course, she’s not sure how to deal with all this romance being a geek girl.  I do like that for the majority of their ‘dates,’ Tsukimi dresses like her authentic  self, glasses and all. I have no particular ship in this armada, and I like Shuu well enough. I was fairly charmed when he decided he needed to buy ‘cute’ stationary upon which to write his letter of marriage proposal.

Kuranosuke is trying his best not to feel sidelined. Instead, he focuses on the fashion plot, in so much as there is one.  A lot of the ‘plot’ in this installment involves how expensive it is to launch a fashion line, how much money they’ve already lost, and thinking up ways to circumvent this problem.  ….Something involving a casual line? Knock-offs? I’m really not invested enough to follow that closely.   The thing that’s interesting about that for me is how Kuranosuke is desperately trying to find out how to give the Amars a fashion that they would actually enjoy, since what he really wants to to spread the love of his fandom (being stylish) to the rest of the world (like any fan.)

I also thought the self-talk Kuranosuke gives himself about how, in this story, he’s the wizard and the wizards never get to run off with the princesses and he should comfort himself that at least he has his fashion magic was clever… if….

…Very josei.

Which is to say sort of settle-y and depressing.

Meanwhile, the eviction plot also moves at a snail’s pace.  The land-shark lady (Inari) continues to woo the kimono nerd’s (Chieko) mom who owns the place into selling. There is a rather hilarious protest that the Amars stage that involves cosplay. I kind of adore that all of the resident nerds have “always wanted to protest.” This was me, in the 1980s. (Now, it is my life.)

For whatever reason, the humorous asides worked a bit better for me in this volume (maybe I’m getting used to Higashimura-sensei’s stye… or it’s Stockholm Syndrome.)  The playboy chauffeur, Hanamori, is fast becoming my favorite.

The romance is really the only plot moving at speeds.  It jumps leaps and bounds in these chapters and it seems to be heading in a very straight line, one without any unexpected curveballs. The only surprise is that, so far, Kuranosuke isn’t deciding to fight for the princess, too.  Given that there are a lot more chapters to go, I’ll be surprised if he doesn’t eventually make a play and possibly win her hand, but I don’t know. Josei, being what it is, could be heading for just what it looks like: Kuranosuke sidelined and okay with it.

Honestly? I would actually be quite happy if that were the outcome. There’s nothing wrong with the Shuu/Tsukimi romance. If they just followed along the usual path and got married, that’d be fine with me. There seems to be mutual, genuine affection between them, even if Tsukimi’s side is filled with princess fairytale fantasies.  *shrugs*  I mean it’s alien to me, but common enough a trope.

I _do_ love that when the Amars finally tell the resident recluse mangaka about the romance, she writes back a bunch of ‘bloodthirsty’ replies outlining how Tsukimi could be used to their advantage in the eviction fight and against the politician (Shuu is the PM’s eldest son). So, there’s room in the plot to go that direction, if Higashimura-sensei eschews the traditional battle royale between the two rivals for the princess’s hand in marriage.

I kind of hope she does, because, frankly, the other has been done to death.

So, it retains my interest. I will read the next volume as soon as the library has it.

Bunny Drop / Usagi Drop

On Wednesday night, it was very, very slow on my shift at the library.  I was on “the machine” (a book sorting automated thing) that requires enough attention that it can’t be left while you go off, say, shelving books or something.  So I looked around the backroom for any manga that had a first volume…

And I found this:


Bunny Drop / Usagi Drop. The back cover copy reads thusly: “Going home for his grandfather’s funeral, thirty-year-old bachelor Daikichi is floored to discover that the old man had an illegitimate child with a younger lover! The rest of his family is equally shocked and embarrassed by this surprise development, and not one of them wants anything to do with the silent little girl, Rin. In a fit of angry spontaneity, Daikichi decides to take her in himself!”





I’m a sucker for stories like this–the ones that are sort of fish-out-of water fatherhood tales.  Kind of literally nothing much of consequence happens in the first volume, though. Our hero, Daikichi, gets to know Rin and does a lot of fretting about daycare.  It’s only by the very end of the volume does there seem to be a mystery brewing about the identity and whereabouts of Rin’s mother.

Even so, I enjoyed it in the same way I love all slice-of-life manga.  Daikichi’s worries about taking on a job that doesn’t require so much overtime just underscored how different Japanese office culture is from American.

Speaking of work, the lights are hardly even all the way flicked off before most of us library workers have bolted out the backdoor and are in our cars, revving the engines.  I can’t imagine living somewhere where I was not only expected to work after hours, but also hang out drinking and socializing with my co-workers.  Sounds a bit like hell, to me.  (Maybe this is why the office ladies in these manga always quit when they get married and have babies? I think I would FAKE pregnancy to get out.)

Daikichi is likable in that he seems to take his new role as caretaker very seriously, even though little girls clearly baffle him.

usagi_drop_c004.pngI give it a thumbs up.  If you want to read Bunny Drop / Usagi Drop, MangaFreak has it.  If you get super into it, there appears to not only be an anime, but a live-action film, as well.

Kuragehime/Princess Jellyfish (vol. 4) by Akiko Higashimura

The library coughed up the two-in-one volume 4 of Kuragehime/Princess Jellyfish, which takes me up to Chapter 44, “If She Turns Around, Is it Love?” or, alternatively translated in the official volume, “I Turn Around and Find Love” (which, given the translator’s notes is the appropriate title, since it’s specifically a reference to a Nobuhiko Obayashi film of the same name, “Furimukeba Ai.”)







According to one reviewer on Goodreads, this volume does begin to diverge from the anime.  Having read the episode synopses, I will say, instead, that my sense is that the manga is actually still back in time in some respects, but fills in the story more.  For instance, there is the introduction of  an Indian garment company and its employees: Prez (for president) and his little sister, Nisha.

Enough orders for dresses have come in from the fashion show that Kuranosuke realizes that there’s no way the Amars can do this on their own, not if they hope to get them produced in any decent amount of time.  So, he asks a friend in the fashion business, who tells him that most dresses are made overseas, anyway.  India is the best.

A lot of this two-in-one volume involves winning over Prez and Nisha to the idea of doing a little charity work–or at least giving the Amars a deep discount.  Kuranosuke also manages to get Shuu, (his nii-san), to give him an extended loan to cover the capital investment.

The other big development is how much Shuu has changed his tune. He’s still being forced together with land-shark lady by his politically-minded father, but in this volume he really only has eyes for Tsukimi.  In fact, so much so, that Kuranosuke ends up accidentally outing himself at the fashion show because he shouts for Tsukimi to have eyes only for “this boy!”  (I’m guessing he used the pronoun ‘boku,’ and actually said something less awkwardly constructed like, “Keep your eyes on me!”)

The Amar slowly come to realize that maybe Kuranosuke is a guy… ? It’s not entirely clear they GET it, because, mostly, they seem just as comfortable to keep thinking of him as her.

The other bit of plot is that we discover that Kuranosuke’s mom is still alive. I’d gotten the distinct impression that she’d died, but it might be that she was simply banished because she was the mistress.  Regardless, she makes a reappearance in these volumes.  After having seen Kuranosuke on TV in one of the Jellyfish dresses, she calls up nii-san, Shuu, and places a secret order.  She wants one of those dresses for herself.  Shuu is put in an awkward position, but decides to use Tsukimi as a go-between.  They have more cute interactions, including one in which she ends up hiding with him under a table at a coffee shop.

Given how many pages there were in these two volumes (about 355), I was surprised how little plot was actually advanced.  Land-shark lady continues to be the villain, but she doesn’t really do much in these chapters other than call up Tsukimi to congratulate her on the success of the fashion show and to taunt her by saying it’s all ‘useless’ and how they’ll never get enough money to halt the wave of development and progress.  Tsunami is enough of a nerd that the taunt breaks her, and then she sends the rest of the Amars into similar depressions when she confesses what’s bothering her.

At the end of the volumes, it sort of looks like the Amars are broken up, because with the Indian company taking over the dress making, Tsukimi and Kuranosuke are the only ones with Jellyfish business to occupy them. The rest are feeling a little used and abused.

Tsukimi is still obsessively making dress designs and even when approached in a kind of peace offering (without being explicit, of course)…. she turns down hotpot night!

Dun dun DUN!!

I don’t know. Given what I’ve read in the episode guide, it sounds like there are other plot developments to come that we haven’t hit yet. In their place we got reams of fashion talk, including Tsukimi being dragged out to experience fashion so that she can better choose the fabrics she wants the Indian out-sourcing dressmakers to use. I have to admit that I skimmed a lot of the fashion stuff. That doesn’t interest me in the LEAST.  I like the nerds and the otaku commune and I’m moderately shipping Tsukimi and the elder brother, Shuu. I’m sure I’m supposed to ship Tsukimi and Kuranosuke, but I kind of would prefer it if Kuranosuke were gay or ‘new half.’  But believe me, the author spends several panels making absolutely clear that there is NO HOMO here. Crossdressing is just a hobby (and, you know, that’s fine–in fact giving straight, cis men a chance to crossdress is cool with me.–but Higashimura-sensei, you told us already… several times.  Put down the ‘no homo’ spray, we get it.)

But that does lessen my enjoyment of this manga.  The only queer characters left are not explicitly so, so…. and given that this manga seems very determined to pair-up and feminize our otaku ladies, I’m not holding my breath for any queer canon couples. Alas.

It’s still fun, though.

Princess Jellyfish/Kuragehime (Volume 1) by Akiko Higashimura

I picked up Princess Jellyfish because a friend recommended it to me and I saw that the library had it.


The premise of this is kind of fun. Tsukimi Kurasita, 18, lives in a commune of self-proclaimed fujoshi and otaku. (If you’re unfamiliar with the term ‘fujoshi,‘ it means ‘rotten woman’ and is usually a designation specifically given to otaku/fannish/geek women who are obsessed with BL or yaoi.  The translator’s notes in the back of Princess Jellyfish also implies that in the case of the women in this manga, it’s more that they are generally geeks, but that there’s specifically an element of defying patriarchal expectations of what makes a ‘good girl’ for anyone who self-defines as fujoshi.)

Tsukimi’s geekery is jellyfish. She’s been obsessed with them since she was a little girl.  She reads about jellyfish, she draws them…. everything. She even has a tragic backstory involving jellyfish and a dead mother.



The inciting incident of this story happens when Tsukimi happens by a fish store and discovers that someone has mistakenly put a moon jellyfish in the same tank as a spotted jellyfish. They are incompatible in way that’s deadly to the spotted jellyfish and Tsukimi tries to get over her social awkwardness/anxiety to tell the clerk this, but is unable to until a brash ‘stylish’ shows up and bullies the clerk into giving Tsukimi the spotted jellyfish in order to save its life.





Tsukimi is pretty horrified to discover that after their big rescue of the jellyfish, the ‘stylish’ has stayed over.

Worse, this super-cute girl turns out to be a boy–a beautiful boy named Kuranosuki.  Bringing home one of the cool girls would have been bad enough, but boys are strictly verboten in their commune, which they jokingly call the ‘Amamizukan’ the Nunnery.


Tsukimi accidentally pulled off his wig and was trying it on in the mirror.

Kuranosuki insists that he is not okama, but cross dresses as a ‘hobby’ and as an easy way to get away from his high-powered political family. (Sure, honey.)

Kuranosuki, who usually hangs out with the cool girls, suddenly discovers the joy of nerds.  Like, they talk about more than sex and clothes! What are these wonderful creatures? I must pet them and hug them and call them my own!

Yes, it’s true. Nerds make much better friends than the clubbing sort. However, the Amars (nuns) as they call themselves, do NOT want men in the commune, so Tsukimi is the only one who knows Kuranosuki is a boy.

But, even as a lady Kuranosuki rubs the Amars the wrong way. They tell Kuranosuki to get lost.  Repeatedly. They have a quiet life. Go home; you’re too friendly.


But like every privileged rich dude everywhere, Kuranosuki ignores their request and worms his way into their hearts by being persistent AF and buying them stuff. (Niku! The answer to unlocking nerd girls’ hearts, apparently? ‘Niku,’ aka meat. Seriously. Bring fancy meat to hotpot night is apparently the ticket.)

Then, Kuranosuki decides that what Tsukimi needs is a makeover.

And, let’s face it, ladies, makeovers are magic, am I right?

I mean I saw Grease. I know how this works. You get the big dance number at the end and the Happily Ever After if you ‘dress to impress.’

And, sure enough, when Tsukimi is all dressed up, that’s when she stumbles into Kuranosuki’s older brother and she finally feels chemistry for a guy.  Of course, he’s only hot for her when she’s dolled up. In fact, he doesn’t even recognize her when she’s in her natural otaku form.

There’s a subplot that involves the house being bought by a corporation, but mostly, in the first volume (the one I have might be a two-in-one because I have 380+ pages–12 chapters) is about the little three-way that’s forming:  Kuranosuki developing feelings for Tsukimi, Tsukimi’s interest in Kuranosuki’s nii-san, and Nii-san’s attraction for made-up Tsukimi.

I’m not sure how I feel about this aspect of the story.  It will depend on how it ends. I have a very bad feeling that Kuranosuki’s influence is going to end with all the nerd girls dolled-up.  He already has them convinced at the end of this volume that make-up is their “armor” and a weapon they can use as an advantage in the world.

He seems to be right about this.

This depresses me.

But, I’m hopeful that maybe that’s not going to be the point. I’m hopeful, given this is a josei, that maybe we’ll get something more out of it. Although, maybe not, maybe like Kids on the Slope, the whole point will end up being that the nail that sticks up will be hammered down and settling for less-than-your-dream is just fine.

So far, I’m in it for the side characters. I like Tsukimi okay enough to keep reading, and I would like Kuranosuki much more if he WERE an okame or trans, but he’s very NO HOMO, so whatever. I have only so much patience for pretty rich boys.

Currently, my favorite character is Mejiro-sensei, a mangaka shut-in that we never see. She lives behind a door that never opens, and apparently she’s only been seen a few times. She communicates via notes slipped under her door, and sometimes also solicits help finishing her BL manga close to deadline.

I also like Mayaya, who is a Records of Three Kingdoms nerd. I think I like her because she reads the most like a anime fan, plus she’s drawn very non-binary/gender non-conforming.

So, you know, I’m kind of in it for the ensemble cast; I could take or leave the romance.  I’ll definitely get the other two volumes from the library, though. I like the somewhat unconventional art style quite a bit, and I kind of want to see if this whole thing is going to be about the magical GIRL power of make-up and a good hairstyle. (If so, expect angry rant when I finish this series.)

Vassalord by Nanae Chrono


The description of this manga sounded very promising.

Charley, a cyborg vampire who does the Vatican’s dirty work is the thrall of the local vampire playboy, Johnny Rayflo.  As the two fight crime–and each other–hilarity, violence, and sacrilege ensue!  But can Charley resist his own desperate craving for blood? Find out as the devilish duo go up against a childlike vampire princess, a mysterious branch of the Unitarian Church… and each other.

Hilarity was the only part of this whole combination that had me a little doubtful.  I don’t DO manga comedy very well.  Although at least some of the humor I found inside was clearly unintentional….





I was raised Unitarian Universalist.  This whole ‘mysterious branch of the Unitarian Church?”  Pretty laughable.


Unusual for Unitarian Universalists to welcome nonbelievers?


I think you’re a little short on what UU is, sensei.  You can be an atheist and be a full member of the Unitarian church, in fact most of the people I knew in the fellowship that I grew up in were secular humanists and/or atheists (to be fair, we were a little odd, but that’s because fellowships organize without a minister and so basically this was a social club for aging hippies who wanted to get together on Sunday morning and argue philosophy and drink coffee. For a long time I literally thought “the sacrament” and/or possibly “the holy trinity” was coffee, donuts, and a debate.)  But, that’s the thing about UU.  You can kind of believe anything since you’re already saved, that’s part of the deal. There are goddess-worshiping pagans who are members in good standing in the Unitarian Church (it’s called CUUPS).  So…. you can believe in nothing, a goddess, Buddha, or you can also be Rah! Rah! Jesus and celebrate communion. No shaming in UU.  It’s LITERALLY all good.

So, maybe the funniest part is that anyone would bother to split from UU and form a “mysterious branch”?  Although I did find it interesting that this former Unitarian “reverend” was making a pact with THE VATICAN.  At that point I was like, “AH HA! UNITARIAN SACRILEGE AT LAST! BECAUSE HIERARCHY? WHAT NO!”

So, yeah, back to the the actual story…

The art was probably the most compelling part of this manga for me. Even though I find the whole idea that vampires can turn into bats kinda cheesy, I love the way Rayflo looked when he was doing his bat thing:


Very “Dracula Untold”…. (which is a compliment). I liked the movie, too, but the visual effects were unquestionably COOL.

But generally, I found the storytelling in this manga to be confused (and not just because I was hung up on the whole Unitarian thing, although that did NOT help.)  Story lines were muddied and there were leaps I was expected to make to follow along that sometimes I did, and sometimes I didn’t.

That being said, I ended up not only reading all three volumes that the library had for me (this was one of the gay men–in graphic novels and comics titles that my catalogue search revealed,) but I also hunted down the couple extra chapters that MangaReader had available:

There were usually bits and pieces that appealed that kept me reading. Like, late in the story, a vampire-drug (as in the drug turns you into a kind of immortal vampire) dealing Chinese mafia tough is introduced and I found his story fairly fascinating. Plus he was drawn SUPER HOT.


He’s like a punk Kenpachi…

Technically, our dynamic duo were on the trail of this guy fairly early on–since he is the Vassalord of the title, it turns out!–but getting there was very convoluted and there was NOT NEARLY ENOUGH SEX BETWEEN THE BOYS.

So do I recommend it?  Maybe?  It seems like “vampire + yaoi” would probably yield a prodigious list of titles, so maybe this isn’t the best?  Perhaps I’ll have to take a survey of the sub-genre so we can find out together, eh?

Who’s with me?

As a final thought, I find it interesting that this manga was categorized as ‘josei’ and not ‘yaoi.’  I suspect that might be because while there are a lot of hot bodies on display, mostly we get discretely covered parts and both boys seems to be at least partly bisexual, rather than completely and singularly into each other. Also, the romance is clearly secondary to the plot which is a gigantic BUMMER.

I think I might have liked this better if it had been slightly less plot and more sex.

Kindan no Koi wo Shiyou/ Let’s Make Forbidden Love by Oomi Tomu

My manga reading has been very random since the loss of Bleach. I’m still preferring things that involve very little commitment from me (even 10 chapters seems like a lot to me these days).  So, I’ve hitting the “surprise me” button at MangaPanda a LOT.

Kindan no Koi wo Shinyou was another “surprise me.”

The “surprise me” button can be very dangerous because I’ve made a rule for myself that no matter what I get, I will read it.  The only time I make exceptions is if I’ve already read the manga or the chapter count exceeds 100.


So much of this was not for me…. but for you, gentle reader, I soldiered on.

Kindan no Koi wo Shiyou/Let’s Make Forbidden Love is, I guess, a story that skirts the edges of exploring beastiality, in so much that a lot of werewolf stories do.  Okay, you’re saying, Lyda, that’s not the same.  Werewolf stories are about all sorts of things, but not really about schtupping  a doggie.

You know, you’re right.

Thing is?  In this story Yatou is not a human who becomes a wolf at full moon; he’s a wolf who can become human at night, when the moon is out.





In fact, there’s an entire chapter in which our young heroine, Hisako, is jealous of a female Huskie who shows up at the shop she works at.  Yeah, I’m not kidding.  There’s a lot of discussion about how Yatou isn’t human, but a wolf, and how it’s much more natural for him to be attracted to OTHER WOLVES.

There’s at least one scene, an illustrated omake, where Yatsou, in his wolf form, licks between Hisako’s legs.

So, there’s that.

But, here’s the thing, I actually LIKED this aspect of the story.  Not necessarily the parts where there was licking (but whatever. Not my kink, but no shame if it’s yours), but I thought that the author did some interesting things in terms of exploring the relationship between humans and their pets/wild animals, which it made the whole werewolf thing feel fresh, honestly.  In fact, I would have probably enjoyed more chapters of that sort of thing (there are really only four, the fifth one is an unrelated vampire story which I didn’t read.) Unfortunately, there’s a lot of fade-to-black sex and Hisako being trapped in the wolf’s amber gaze.

So much gazing.

But I guess that’s part of what legitimately makes wolves fascinating, right? That alien, intense gaze of theirs.


Yeah, and then there’s the art style.

To be fair to Oomi-sensei, this manga was published in 2000, which is a long time ago now (though this style, for some reason, always reminds me of the late 1970s/early 1980s, probably because I was watching “Star Blazers” at the time.)

If you can’t stand this kind of over-exaggerated, elongated style I wouldn’t blame you. The only thing to recommend Kindan no Koi wo Shiyou is that it’s vaguely interesting and very, very short.

If you’re curious, here’s a link to it:

For those of you who may be anxious for me to return to yaoi, never fear, I will be doing that presently.  I had a very SLOW shift at the library the other day and I did some category searching through the catalogue and basically requested every single manga title that fit: gay men–graphic novels and comics.

Sadly, of course, this was exactly three. One of which I’ve already read and reviewed here, What Did You Eat Yesterday?  But, the other two should be coming (as it were!) in the next couple of days. I already got a notice that one of the volumes came in, but, of course, it was the second volume in a three volume set.  I’m going to wait and see if the other two come in the next couple of days. If not, I may just review things out of order!  (It may actually be that I’ll get notified that the others are missing. This happens with a lot of things that are explicit. I think they’re taken both by people who really really crave teh pron and ALSO by people who think such things shouldn’t exist.)

Until next time!  Ja mata! (or, if we’re close enough in your estimation: Ja ne!)