Mahou Tsukai no Yome / Ancient Magus’ Bride by Yamazaki Kore

I fail at being ‘the cool kid.’

Mahou Tsukai no Yome / Ancient Magus’ Bride is the anime to watch this season.  I started it, got two or three episodes in, and stopped. Initially, I couldn’t shake the creeping heebie-jeebies about the set-up.

For those who don’t know, here’s the set-up:

With her mother dead and father long gone, Chise Hatori has spent her childhood being passed unwanted from relative to relative, until she finally makes her unfortunate way to a strange and improbable auction block. Offered as a “sleigh beggy” to the highest bidder, Chise is purchased by the (literally) boneheaded Elias Ainsworth, who promises to take her on as his apprentice. Elias is a mage, and his world is one of dragons and faeries – but before Chise can begin to get accustomed to all that nonsense, Elias drops another bombshell. Apparently Chise isn’t just intended to be his apprentice – she will also be his bride.

Yeah, a slave auction.

I found a review of the first episode on Anime Feminist  that told me to trust in the story, and checking-in with other people I got the same advice. Just wait. It gets better.


Read carefully. Angelica calls Elias “a Loli-pedo”

And… they’re not wrong. In the end, I loved more than I hated.  But, it both gets better and doesn’t.  In a nutshell, I’d say that the mangaka is aware of the creepiness of her set-up and thus doesn’t shy away from revisiting issues. That’s both good–because it’s a thoughtful exploration, but also… still creepy, right?






I decided, however, to read Mahou Tsukai no Yome / Ancient Magus’ Bride instead of watching it. I’m a SLOOOOW consumer of anime (I’m STILL on Natsume Yuujinchou /  Natsume’s Book of Friends and I have at least three more seasons to go.)

I finished all the chapters currently available (at the time of this review, 44,) and I still have very mixed feelings about this manga.


Well, okay, so long as your money was good.

To give Yamazaki-sensei credit where it is due, she could have brushed this… shall we say, ‘problematic’ beginning under a rug.

After all, her supporters are spot on. Yamazaki-sensei develops both Elias (the titular Ancient Magus) and Chise (the Bride) to the point where even this hard-to-sell reader found them AND THEIR RELATIONSHIP worthy of sympathy and support.

But, she doesn’t forget where things started, and so you can’t either.

In fact, just when I’m starting to root for Elias and Chise to live together forever, the mangaka takes us back to the auction house.  A dragon whelp has been stolen and put up for sale and so Chise contrives a way into the audience with the plan to save the dragon by buying it herself (much as she was bought.)

It’s an uncomfortable scene.

Chise, being this strange sensitive known as a ‘sleigh beggy,’ can hear the dragon’s cries. The dragon is scared. She wants to go home. She watched her companion be slaughtered for parts and is afraid the same thing will happen to her. This isn’t an adult dragon. It’s a child. We were given a scene in the early chapters, where Chise is in the land of the dragons, where she plays with dragons of a similar age to this one. They are portrayed as childlike and adorable.

The thought that anyone would treat a child like this is deplorable.

Yet the auctioneer is written as sympathetic, even as he’s saying things like, “We can’t let the dragon break free, the others will use the opportunity to escape.”

Let me underscore that for you:  Escape.

The whole scene makes it 100% clear that there are, in fact, creatures there, for sale, who are NOT there of their own freewill.

And that Chise, herself, when she was sold, was not yet sixteen…

Worse, this particular chapter doesn’t end well for the dragon.  She freaks out and goes on a rampage and we’re supposed to be worried about Chise and Elias (and Chise’s familiar, Ruth,) but I never stopped worrying about that dragon baby.  The dragon baby, who, so far, hasn’t made it home, and ends up, it appears, permanently insane (and later, it seems, recaptured by Joseph/Cartaphilus, aka: the Wandering Jew.)


The Wandering Jew… the Big Bad

I hardly know what to make of this character.  He is legitimately the most odious, most sociopathic character(s) in the series.  (In many ways it’s worse that Joseph is separate from Cartaphius, since Cartaphius is clearly the Wandering Jew, who seems ghastly and irredeemable, and Joseph is portrayed as weird, but kindly.)

Ever since Full Metal Alchemist, I hate anyone who makes chimeras… and Joseph/Cartaphius does it clearly makes them for fun, but he also harvests body parts to try to stave off the constant pain of his rotting body…?

Regardless, he’s icky.  He’s also the guy responsible for poaching the dragons and dissecting the little one’s companion.  He’s driven other people to madness.

And, he’s not just called the Wandering Jew by the wizarding society, but we actually get the “story” of his curse, which is rooted in the anti-Semitic concept the the Jews are responsible for the death of Christ.


Now, I’m not trying to say that Yamazaki-sensei is being intentionally anti-Semitic with this character.  She does go there with this image of Jesus on the way to the crucifixion, but it’s not clear to me that she has any idea how loaded this story is for a Western reader.

It’s troublesome to me that Joseph/Cartaphilius is clearly the Big Bad. But, I’m waiting to see how his story ends before I pass any kind of judgment.

Thing is, even if I’m deeply uncomfortable with the Wandering Jew and the origin (and sexualized) nature of Elias/Chise’s relationship…


Feel free to argue with me about whether or not this constitutes sexualized…

…there is no doubt in my mind that there are lots of wonderful parts of this story.  I love the dragons.  I love the mini-arc that involves a leanan sidhe and the mortal man she falls in love with.  I adore how unabashedly creepy the fairy are in general, and how monstrous (and inhumanly human) Elias remains throughout. I like a lot of the side-characters, including Renfred and Alice.

So, I’m going to pose a radical thought for your consideration, gentle reader.

It’s okay to love flawed work.

A piece of fiction can have deeply problematic moments and still be beautiful and transformative.  You don’t have to hate something unequivocally just because it’s not absolutely perfect.

I kinda think Chise would agree with me on this one..



Important to keep bringing it back to the money you spent on her, Elias.

In many ways, that’s what fandom does.

Because we take this stuff seriously, we think about it hard… and because we love it, we’re its strongest critics.

So, yeah, like all my friends before me, I recommend this. I have a lot of caveats and I think it’s far from perfect, but it’s a good story none-the-less.

Don’t forget that I’ve recommended a manga by Yamazaki-sensei before. She also wrote Futari no Renai Shoka / Our Romance Bookshelf, which I also found kind of troubling for the massive age gap (though I still recommended it!)


Renai Crown / Crown of Love (Volume 1) by Kouga Yun


Another one of the random volumes that I picked up at the library’s book sale, was this one: Renai Crown / Crown of Love. 

I guess I should have checked to see if they had the other three volumes, as there’s currently no one scanlating it.  The link takes you to an official preview of this volume at Viz Media’s site.

This would be more of a bummer, if I wanted to read any more of it.  I don’t.







When my son saw me reading this, he asked what it was about–because, really, the cover gets you nothing, other than a vague impression of ‘maybe….romance?’  I described it to him like this:  This guy, our hero, literally bumps into a rock idol on a train.


He’s from some Japanese version of Julliard, who has apparently never heard of rock music and has no idea who this pretty girl is, but, you know, she’s HOT. So, it’s love at first sight and he becomes a mega-fan, super-stalker to the point of becoming an idol himself in order to pursue her.

I mean, that’s basically it.

I guess, he’s able to get a chance at being a idol because he’s a violin player and the son of an opera star. Plus, Ikeshiba, the fox-like, (non-eye opening sort) manager of Rima, the female idol, spots him and scouts him with a, “You’re just a fan boi, you’re in different worlds. Now if you’re a fellow idol… maybe things will be different….”

Maybe this is marketed as josei because there’s almost nothing healthy about any of the relationships in this manga.

For instance, when our hero, Hisayoshi tells his family he’s going to quit violin lessons and become a rock idol, his dad beats him up.  His dad beats his mom at one point, as well as the manager/fox Ikeshiba.  Dad is a violent creep, and at one point Hisayoshi looks at his parents’ relationship and even says, “Man, I don’t want to end up like them, in a one-sided thing.” Then he literally thinks: “Huh, yeah, except that’s exactly what I’m doing. Oh well!”

I can NOT imagine this is going to end well.


No one, but come on… even if you two get together, I’m not sure I’m rooting for you.

I mean, maybe it gets better?  If other people have read the rest of this and love it (or hate it), please let me know.

Futari no Renai Shoka / Our Romance Bookshelf by Yamakazi Kore


I found Futari no Renai Shoka / My Romance Bookshelf by hitting the “surprise me” button at Mangareader.  Normally, I’m not much for straight people romances, but this one was cute (and complete in two volumes.)






The premise is pretty straight-forward. Kanako and Akio are two book nerds that fall in love.



The complication is that when they meet and Kanako blurts our “marry me!” she’s a college graduate and he’s in middle school.

I’d be more squicked about the age-gap, only he’s not drawn like a middle schooler and, perhaps more importantly, Kanako is only partly serious when she says it.  Akio has eidetic memory and can repeat full passages from books he’s read. When he recites one of Kanako’s favorites, she has the same moment I had when it was revealed in Dream Daddy that Damien had Naruto fan fiction in his library. I turned to my son and said, “I’m sorry, I have to marry this man.”

A lot of the rest of this manga is occupied with the question of how people are like books, and, particularly, the thought: sometimes you just like what you like.

There are some weird familial issues, too. Akio moves in with Kanako while still a high schooler, which he’s able to do because he’s that manga/anime phenomenon of the abandoned child of business workers, who just left town for a better job and abandoned their adolescent at home alone, sending the occasional packet of money home. (I just tried to do some Googling on this, and it does not seem to be a Real Thing, or is at least certainly not as prevalent as it is in anime and manga. If you have a source that proves me otherwise, PLEASE link me. I’d love to know more about this, if it’s a Done Thing in Real Life ™. )  Kanako, meanwhile, has a father who stopped caring for her after her mother died because “all his love was used up.”


A lot of that is resolved by the end of the second volume, except Kanako’s parents. They’re just gone.


But, beyond being baffled by some people’s (realistic?) lack of compassion, I enjoyed this manga and you might too.  It is, you could say, a ‘book’ you could curl up with while warming yourself under your comforters/kotatsu.


Nana by Ai Yazawa

I’ve been away from MangaKast for a little while because I fell into all 21 volumes of Nana, a rock and roll romantic tragedy about two women with the same name.


Yeah, it’s been over a week and I’m only just now coming up for air.

Wow, what a ride. I went into it happy to have found another mild slice-of-life story, and by the end I was like, “Wā! Such a soap opera! It can’t end like this!!!”

Of course, when I started Nana, I thought it was complete at 21 volumes, (this will teach me to do my research after picking up a series; I should have learned after Kill la Kill!) Instead, the story skids–almost literally–to an end.  According to Wikipedia, Nana went on an ‘indefinite hiatus’ due to Yazawa-sensei’s illness. Wikipedia seems to imply that the story could continue, but there’s been nothing since 2009.

Which is a shame, because I ended up really enjoying this one… despite myself.

I wouldn’t have thought a sappy romance story about a Japanese rock band would be for me, but, what can I say? I’ve been such a sucker for this kind of thing lately.








The meet-cute for Nana is based on the title: two women with the same name, who meet, by accident (or is it fate?) on the train to Tokyo.  Both of them are headed out to start a new life in the big city.  Nana “Hachi” Komatsu, our main character, is following after a boyfriend… something she does a lot.  Nana Osaki is striking off to start a career in music…sort of also following a boy, but also not.

I shouldn’t like either of these women.  Both of them are really fairly dependent on their men/the men in their lives, but I ended up really liking their friendship… and the resulting emo/drama.

Nana Komatsu gets her nickname from Hachiko–the famously loyal dog.  In the end, she earns that nickname in a powerful way, but initially Hachi is more like the yappy annoying dog that follows Nana around.  Which is weird, since Hachi is the main character. We start the story with her and her love-at-first-sight problems, and she remains the narrator throughout, even when the action is more focused on the rock star drama.

And, OMG, the rock star drama.

Nana Osaki is a troubled woman. Her boyfriend Ren was the bass player in the band she started in high school, “Black Stones” (“Blast,” for short).  She and Ren are very much modeled on the punk rock icons, Sid and Nancy, complete with drug addiction.  Except in this, Ren leaves Nana’s band to become the bassist for a more successful group that already has a record label, “Trapnest.”  Determined to beat “Trapnest” on the charts, Nana moves to Tokyo and reforms “Blast” without Ren.

Hachi’s part in all this is to be an early fan, a supporter through tough times. That is, until she randomly sleeps with the guitar player from Ren’s band, a guy called Takumi… and gets pregnant. Even though, she was kind of seeing someone in Nana’s band, a kid called Nobu.

You see the soap opera drama?

Yeah, and like I said, I totally got addicted to each twist and turn. I can see how this series became a best-selling shoujo title, even though the main character is stuck in kind of an awful situation, since she ends up marrying Takumi, despite him being a womanizer and a cold-fish and Hachi still mostly loving Nobu best. I say “mostly,” because this is josei, so Hachi kind of loves the one she’s with, even though that’s not at all a satisfying story. (This is why josei drives me crazy.)

There’s this huge push-pull between Ren and Nana that’s never resolved.  Speaking of things I hate about ‘josei,’ a random car accident happens and a major character dies and then people disappear and no one is happy, THE END.

To be fair to Yazawa-sensei, she didn’t necessarily intend to leave it where she did.  You could see, however, from the flash-forwards she started giving us several chapters before the hiatus, that she’d planned for the tragedy and its aftermath.  So, it’s safe to say that this josei ended much like the other one that famously burned me, Kids on the Slope.

Yet, I can’t say I didn’t enjoy the ride in both instances.  So, would I recommend it? Yep. Just be prepared to get to the end and have this reaction:


I literally spent this morning while doing the dishes (a time I usually watch anime), starting out the window with an expression much like the usually unflappable Takumi (the guy with the dark, long hair).  Internally, I had Kobu’s expression, because what happens in this manga is legitimately traumatizing.

Good story, though. Really not my usual, but it was very good none-the-less.

If you prefer to watch rather than read, you have two choices. There was a live-action movie made as well as an anime. (The Hulu link said it was unavailable for me and I didn’t try out the KissAnime link, so I can’t vouch for the quality/availability of either of them.)

Pandora’s Heart (vols. 1 – 24) by Jun Mochizuki


I’ve been absent from reviews for a while because I was reading… I read all 24 volumes of Pandora Hearts.  What is Pandora Hearts…?  Well, I described it thusly, when I was only a couple of volumes into it: “Pandora Hearts by Jun Mochizuki is about… huh, how do I describe this thing? There’s a rich/tragic little lordling named Oz, who gets caught up in a supernatural adventure, probably because he’s the key to some mystery involving “the Abyss,” and ends up in a contract with a devil.”

I’d say that’s fair. At least as an introduction…





…now, for the rest of it.

I kind of liked the beginning of this series.  The set-up is neat. After being tossed into the Abyss for the crime of “being born,” Oz ends up making an ‘illegal’ contract with Alice, a “chain.” Chains are basically Abyss demons with superpowers. Alice uses the power of B. Rabbit (a giant, scary, scythe welding black rabbit) to spit them back into the Human World… only the Abyss is a little like fairyland. For you, you might think you spent ten minutes in the Abyss, but years might pass in the Human World.  So, Oz is actually reunited with his valet, only to discover that Gil has gone from being a wimpy little kid to  a grown-up, gun-totting hottie.

Gil has also joined a secret demon hunting society called Pandora.  Oz and Alice get roped into helping hunt down various paranormal criminals–mostly other people with illegal contracts.  Why exactly anyone needs to hunt very hard is a little iffy, since they all have this giant tattoo on their chests, counting down the time left on the contract, until they and their Chain are dragged down to the deepest pits of the Abyss.  Problem kind of solves itself, no? Well, I mean, I guess the point of stopping them early is because most Chains seem hellbent on destruction, murder, and mayhem.


Ostensibly the trio is also searching for Alice’s memories, which got shredded at some point.

But, not one of them remembers anything, really.


What am I forgetting?  Oh, right…. LITERALLY EVERYTHING!

In fact, they’ve–all three of them–forgotten major sh*t. REALLY, INCREDIBLY MAJOR SH*T.

And the characters who have been around for a couple of hundred years, who later seem to have been damn well aware of a good portion of this major sh*t, conveniently chose not to say anything more than a few coy, existential hints.  “Where are you, Oz?” (Where is he? That’s what you’re gonna ask, Xerxes Break??  HOW ABOUT WHAT THE F*CK EVEN ARE YOU, OZ??)

A lot of the mysteries are cloaked in a veneer of tragedy.  Why does Oz’s father despise him so much, when clearly little Oz just needs a cuddle?  Is Gil’s brother, Vincent, a rape-y sociopath or just in desperate need of a hug? Why does Alice understand loneliness so well (would bite-y kisses help)? What is the mystery of the eternally reincarnating Jack and Glen, could all this immortal animosity just be hugged out???!!?  HOW ABOUT A TEA PARTY? I HEAR TEA PARTIES HELP!

Look, I’m an a$$hole, okay? I just never really warmed to any of the characters, despite my extremely determined efforts. This came highly recommended; it’s extremely well-received on Goodreads. Clearly, I am a heartless anomaly with zero taste in manga.

In fact, I’ve been trying to figure out what is wrong with me. All day, since I finished this, I’ve been wondering why I had such a profound ‘meh’ reaction to so much of Pandora Hearts.

I mean, I was certainly engaged enough to keep reading volume after volume after volume.

So what happened?

I do know that I suffered a bit of attachment disorder. The lives of fated-for-great-things aristocrats does nothing for me. The only poor person in this entire series turns out to be the Big Bad–a really twisted Stalker-y Non-Love Masquerading as Love-Becomes-World-Ending-Obsession kind of Big Bad. Even the devoted servants turn out to be Lost Princes with a Special Destiny–both of them. That’s just a tough sell for me, personally.  Everyone looks lovely dripping in jewels, but, for reasons entirely my own, I’m just not there for them.


Except this guy. If only he hadn’t been so, so STRAIGHT…. *sigh*

I ended up semi-attached to Gil (gun-toting hottie manservant, which is good because he’s kind of a surrogate main character), but, ultimately, I find servant/master devotion that goes beyond the grave to be… not something I can relate to?

This is where I started to wonder if I was just not enough of a Romantic (yes, I capitalized that intentionally,) for this series, because normally, as a hardcore shounen fan, I’m all about the Precious Friends Forever.

And, these guys have GREAT hair.

Seriously good hair.


That braid goes past his butt, friends! 

I will say, too, in the plus column, that I feel that Mochizuki-sensei is a good writer, in that, for the most part, all the big reveals were well foreshadowed. I didn’t get the sense that she was scrambling for an ending or dropping outlandish plot twists just for the shock value or to make the sales numbers climb.

The plot was convoluted af (especially the stuff around the Intention of the Abyss), but it all felt earned, if that makes sense.

This did NOT suck. Nowhere near.  I just… didn’t love it.  Which, it maybe ironic, given how important love is to the plot.

I think, ultimately, it just wasn’t my cup of tea despite all the apparently delicious cups of tea contained therein.


Would I recommend it to you?

Actually? I would.

I suspect my problem with rich characters is some kind of pathology, and that the majority of manga readers / human beings out there do not share it.  I just never had princess fantasies as a girl. Nor did I want to be the prince. The one I wanted to be was the rough-and-tumble rogue: Han Solo, all the way, baby!   This story lacks Han Solos. That’s not the mangaka’s fault, she wanted all the princes.  That’s not a matter of good vs. bad; that’s a matter of taste.  (And there’s no accounting for taste. I like rough-and-tumble so much that I watched that whole Girl vs. Boy anime and secretly enjoyed every minute of it.)

Thing is, I can acknowledge that this did not suit my tastes, but it was still a fine story.

Pandora Hearts has interesting characters and ends well (which is more than I can say for my once-beloved Bleach).

Kenka Banchou Otome (Girl Beats Boys)

I don’t normally review anime, but I ended up watching all of Kenka Banchou Otome (Girl Beats Boys). It has no corresponding manga, being based on a video game. And, really, there is hardly any there there…

… but I kind of loved it, anyway.


It may be time to admit that I have a problem.  I really love delinquent high school boys… and badass girls.





So we have our hero(ine), Hinako.


She ends up going to an all-boys school called, Shishiku Academy, under the most ridiculous, suspender of disbelief-snapping, contrived set of circumstances, ever.

Even though she was raised as an orphan, turns out Hinako is actually the twin sister of Hikaru, the second son of a yakuza boss.  Hikaru fakes an accident between them and bullies Hinako into cross-dressing and taking his place at the Academy.  He, meanwhile, cross-dresses and takes her place at an all-girls school. (Literally nothing is made of his sub-plot, even though I kind of think he’s pretty happy with this arrangement given that he has posters of a male pop star, Mirako Yuuta, on his bedroom wall, and once in the dress, he’s never seen out of it.)

However, Hikaru neglects to mention that this all-boys school is a 24/7 fight club. Or that his brother, Onigashima Houou, is the toughest tough of the 3rd years and became king of the school in a matter of months.

Hinako is tasked with doing the same.

Turns out, she’s good at it.  Being an orphan meant she got bullied a lot, and with the help of a fellow-orphan nii-san, she got tough fast. Plus, she’s studied martial arts… so, surprise! (no surprise.) she quickly rises to the top.

In the way of these things, pretty much anyone she defeats in battle, she also wins over their hearts, and they become ‘bros (seriously the term used in the anime).

Weird quirk of this anime? A lot of slang is actually defined for you in still-frame cut-scenes.  Also, the characters have these odd moments where they seem to be talking to the audience, 4th wall breaking style, at odd intervals.   I’m sure this is entirely a mimic of part of the gameplay.

Oh, and another thing, the episodes are 8 minutes long.

They do manage to cram a fair amount of drama into those eight minutes (though I initially though something was wrong with my iPad when I was watching this because I thought, “that wasn’t long enough; did the feed cut out after the intro?”)  There’s, of course, the constant threat that Hinako’s true gender will be discovered, but also there are mini-arcs about friendship and loneliness and tragic backstories.

My favorite character was Kira Rinatarou, who is the first to guess the truth about Hinako, and who ends up having a secret connection to her past.

But the whole thing is kind of… dumb? Far-fetched? Ridiculous?  YES. YET I LOVED EVERY EIGHT MINUTE GEM.

I’m such a loser. 😛

If any future commenters want to point out my bad taste, throw this one in my face. I’ll have no defense.

Gekken Shoujo Nozaki-kun (Vols. 5-7) by Tsubaki Izumi


A few weeks ago, a reader accused me of having crappy taste because I don’t like anything popular. Well, here’s an exception for you.  At least according to Wikipedia, Monthly Girls’ Nozaki-kun consistently places in the top 20 of Oricon’s weekly manga list (which appears to be analogous to our Billboard 100.)

My taste might still be crappy, but I share it with a lot of Japanese folks, because I think Gekken Shoujo Nozaki-kun is incredibly cute and charming.






Volume 7, which is available in English (despite what it looks like in the image above,) brings the reader to chapter 71 (out of 85, at least on MangaReader).  Volume 8 will be officially available from Yen press on July 18, 2017.

As I said above, I’m still enjoying the heck out of this manga.  Normally, humor doesn’t work for me in text, but something about Nozaki-kun breaks through and I’m able to enjoy it. There are still puns that sail over my head, but I like the characters and the tone of this manga enough that not getting it doesn’t bother me as much as it usually does.  It’s very possible that I’m still able to enjoy the written humor because I was so very, very fond of the anime —which I can NOT recommend enough, keeping in mind my fondness for slice-of-life. If you prefer high-octane action, this is not for you.  But, say, if you liked Free!, I would think Nozaki-kun would be a good bet for you.

One of the things I’m charmed by in the manga is how, over time, you see the rest of the high school accept Nozaki-kun and Sakura as a couple, even as the two of them continue to be blissfully… well, not exactly unaware of the sexual tension, since Sakura is still in full-pursuit mode, but more like… blissfully unaware of how comfortable they’ve become with each other in the way of Real Life ™ lovers.

Maybe this is why Nozaki-kun is getting the designation of ‘shounen’ despite being a romantic comedy.  The relationship is, despite the humor and classic rom-com antics, really very realistically portrayed (even while all the shoujo tropes are being parodied by Tsubaki-sensei).

The other thing I love about it (and the anime) is its gentleness.  For all of the shoujo send-ups, there’s hardly a mean bone in any character’s body and you can easily root for all of them.

Of course, being me, I also appreciate all the insights into the editorial and production processes in manga publication.  There’s a scene in volume 5 or 6, where the two editor characters Ken Miyamae and Mitsuya Maeno are in a planning meeting for a themed issue of the magazine “Let’s Fall in Love” (Nozaki’s manga) is serialized in.  I found that, and their “all-nighter” in which they wait for a mangaka’s overdue pages to come in (not Nozaki, he would never do that), totally fascinating.

This is the kind of slice-of-life stuff I live for.

I would suspect much of it is fairly accurate since Tsubaki-sensei not only has a lot of experience as a mangaka herself (her other long running series is Oresama Teacher), but, apparently, she has a sister who is also a mangaka (though Wikipedia did not say who that was, exactly.)  She also started publishing while in high school, just like Nozaki-kun. So, that’s kind of a fun detail.