A friend of mine is very, very, very into the Chinese drama “The Untamed.”
I’m probably going to end up watching the entire TV series with her, but, try as I might, I just can not get into those 3-D boys.
Deep in my otaku heart, I only have love and devotion in 2-D.
Thus I could not have been more relieved to discover that not only is there a dongua (an anime produced in China) of the same story, but there is also a manhua under the name of The Grandmaster of Demonic Cultivation / Mo Dao Zu Shi.
I can finally share her in fandom… albeit, from a 2-D angle.
SPOILERS
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I feel like if you are in anime fandom, you have probably come across a reference to “The Untamed” or something like it or have seen the phrase, xianxia. I do not know why it is assumed Western anime fans will love things from China and Korea in equal value, but that is a rant for another day.
Regardless, I tend to avoid C-dramas of all varieties because they are entirely out of my comfort zone. I understand no Chinese dialect of any kind, nor can I read or speak Mandarin. My understanding of Chinese culture and Chinese history can be summed up by “?? A Great Wall, maybe?? Uh, terra cotta soldiers??”
My only previous exposure to things (at the time, much more adjacent to) China was a brief interest in the 1990s in Hong Kong films. A local theater ran a “Asian Film Fest,” which was really a “Let’s watch everything Golden Harvest ever produced” on Fridays nights at midnight event, where I saw movies like “The Killer,” starring Chow Yun-Fat, “Drunken Master” with Jackie Chan, and “Once Upon a Time in China” with Jet Li.
It was during those midnight movie showings that I saw several Mr. Vampire films…. I don’t know if “Mr. Vampire” can be considered xianxia. It did, at least, introduce me to the idea of flying Taoist priests, as well as the fantasy concept that rural Chinese villages are often overrun by reanimated corpses and/or that a vengeful spirit problem can be solved by the supernatural placement of a proverb or two–and a liberal application of wires and wigs.
I actually really loved the Mr. Vampire serie. I found it to be cheesy goodness.
So my resistance to the C-drama craze has nothing to do with a dislike of melodrama, bad wigs, or awkward wire work. I suspect that the reason I bounce out of it nine times out of ten is that, after all this time immersed in Japanese culture, all of the tropes and expectations of Chinese media feel really foreign to me. It’s like that first time you read a manga and you hadn’t yet learned that the little * by someone’s forehead means they’re quietly seething or angry.
Learning an entire new culture and cultural cues feels beyond me at the moment. Particularly, since nothing I’d come across has felt particularly worth the effort.
Until now.
The story of The Grandmaster of Demonic Cultivation is ridiculously complex and has far too many flashbacks, but at its basic it is the supervillain origin story I have always, personally, craved, especially since it’s also an epic gay romance.
Pretty much every version of this story starts in the same place. The main character wakes up in the center of what is essentially a demonic summoning circle. It is quickly revealed that our “hero” is spirit of someone named Wei Wuxian (魏无羡) who now, through this dark magic, possesses the body of a hapless “lunatic” named Mo Xuanyu (莫玄羽).
You know something is up because Wei Wuxian is deeply baffled how he could be considered evil enough to have ended up fitting the description of a corrupt spirit, but he goes along with trying to figure out what Mo Xuanyu wanted with this sacrifice, because what else does he have to do?
Even as Wei Wuxian is figuring out who he’s supposed to be taking revenge on, he keeps dropping little hints to the readers that he’s definitely the sort of villain who thinks he is the hero of his own story.
Also, he’ll say things like, “Ah, I see they’re still using my technique” when looking at really evil-looking corpse-repelling talismans and the like.
Yet, it’s impossible not to like Wei Wuxian.
He’s light-hearted, carefree, unorthodox and casually brilliant.
Wei Wuxian tries to solve the mystery of his summoning on the QT, but he almost immediately runs into an old rival, Lan Wangji (蓝忘机). Lan Wangji is everything that Wei Wuxian is not–stoic, serious, proper, and the legitimate second son of a powerful “cultivator” clan that believes in following every single rule to the letter.
Or as one of other characters puts it, Lan Wangji is the person everyone is referring to when they tell you to “behave more like other people’s children” (here as Lan Zhan–this story is not helped by its use of various titles and names for the same people. Lan Zhan is Lan Wangji’s proper name and title.)
This is a rivals to lovers story, too–though a longtime BL reader can pick-up very early that Lan Wangji has been in love with Wei Wuxian almost since the first moment they met.
And the cute-meet is really something. It won me over to the entire series, in fact.
Remember how I say above that Wei Wuxian is casually brilliant? You might not notice that personality trait in the live-action tv series, because the notes that get hit a lot with his character are the humorous/comedic parts. He is funny, and his situation–being stuck inside a madman–lends itself to some very over-the-top overacting.
However, because the manhua is “acted” in my head, it was easier for me to see Wei Wuxian in a different light, and so I was very struck by the meet-cute because I think Lan Wangji sees in Wei Wuxian the same thing I do, which is his genius.
So, the set-up is actually in a flashback which we are given to contextualize why Wei Wuxian is freaked out that of ALL PEOPLE called to help put down one of those many walking dead problems that rural China faces, it had to be Lan Wangji. In the flashback, we see Wei Wuxian and Lan Wangji in a classroom setting–a lecture being run by the clanhead/master, Lan Wangji’s father. Wei Wuxian is being his typical self, bored and disinterested, and so the master attempts to discipline him by quizzing him on various esoteric facts. Wei answers everything quickly and easily, until the master seems to stump him with a hypothetical situation. Let’s say the angry spirit you need to excorcise is an executioner….
There’s more to the scenario, but suffice to say that Wei Wuxian’s hesitation is mistaken for not having an answer and so the father calls on his second son who answers textbook perfectly, no mistakes. Wei Wuxian follows up with a question, shocking everyone. His basic answer is, “So, what about a new way of looking at this? What if we summoned all the even angrier spirits of all the people that the executioner killed and used them to our advantage to bring down the executioner?”
The master is horrified.
You don’t use the dead to fight the dead, FFS!
It’s unnatural.
And, here was the moment that I believe won both Lan Wangji’s heart and I know stole my own. Wei Wuxian holds his ground. He says, “No, wait, how can it be unnatural?” and makes an argument that what he’s proposing is no different than the flood control invented by Yu the Great. Now, I know zero Chinese history, but I do know Yu the Great and so you have to believe me when I say that this connection is f*cking brilliant. He’s saying if one of our greatest historical figures can harness a river’s own destructive power and make it into a good thing that saves people’s lives, how can what I’m proposing be bad?
The master has no argument at this point. Lan Wangji’s father is reduced to throwing things at Wei Wuxian in frustration.
I can only imagine that at this second, Lan Wangji sees that this silly, carless young man is not just bullsh*tting his way through life. He will be–or, perhaps already is–a force to be reckoned with.
But, the audience also sees the danger. The student humiliates the master… and from this moment, the reader understand exactly how it is Wei Wuxian’s life becomes a tragedy. He’s going to do the right thing using the “wrong” methods and get labelled a perversion of the natural order.
And no one likes perverts.
Which is the other clever bit about the core story of The Grandmaster of Demonic Cultivation, in my opinion. The gay romance subplot isn’t just an add-on for titillation, it actually underscores the entire theme of the story, which is the question that Wei Wuxian asks his teacher, “How can something be unnatural if it is good?”
Which brings us back to that perfect child, Lan Wangji…
The other thing that I found much clearer in the manhua is that body that Wei Wuxian possesses–the madman, Mo Xuanyu? He’s not crazy so much as queer in a society that finds that so abhorrent as to consider it a mental illness (not unlike my own country, until 1973.) There are implications early on that MO Xuanyy was… at least a crossdresser, if not something more, as among his possessions Wei Wuxian finds a make-up kit which he uses to disguise himself from cultivators whom he worries might know him if they look too closely at this new body. Later, too, Wei Wuxian uncovers that the reason Mo Xuanyu knew the spell to offer his body in sacrifice was because he was a prominent cultivator student himself… until he “harassed” the clan head, by which is it clearly meant flirted/fell in love (or someone thought he had), and was dishonored and banished.
One of the things that is uncomfortable about Wei Wuxian is how willing he is to use Mo Xuanyu’s homosexuality/queer mannerisms as a repellant. Like, if he needs someone to not take him seriously because he just dropped the equivalent of a 10th level spell, he just minces around and hides behind a strong, manly man… like Lan Wangji.
This is made especially painful by the fact that Lan Wangji has probably always known he was gay.
Since there are other flashbacks that imply this very heavily. There’s a scene where the two boys are trapped together in an underwater cave in a classic hurt/comfort scenario (Lan Wangji is injured protecting Wei Wuxian) and Wei Wuxian is mindlessly talking about all the cute girls as Lan Wanji is growing more and more possessive. I mean, every queer teen who has accidentally fallen for a straight person can see themselves in this moment, I feel. It doesn’t even matter when in time this scene takes places because the conversation they have also makes it clear that Lan Wangji has never–and you get the sense that it’s not JUST because he’s a straight-laced prude, maybe those laces have never been straight, if you catch my drift.
So, the story runs on two tracks–the larger world realizing that zombie magic isn’t inherently evil, and Wei Wuxian realizing that “unnatural” attraction is as natural as his own zombie magic… or at least the story flirts with that (apparently the light novel is more explicit that the boys get together in the end.)
If I have any complaint it’s that this manhua spirals away from our central boys far too often. It’s epic? I guess that’s part of it’s appeal, but I’m not all that interested in the story of the severed arm, though I do absolutely adore the Ghost General.
And, of course, the donkey, Little Apple… in fact, I told my friend as we were watching the live-action tv show that I am 75% here for the donkey content.
So, should you read this manhua or watch the anime or live-action? It really honestly depends on the amount of free time you have. The anime might be the shortest, having only three seasons (?), but the manhua is at 203 chapters to-date. This thing is SPRAWLING. The scanlators have actually provided character/relationship charts to help you keep track of everyone. It is, as the kids say, a LOT.
But the art is gorgeous, and because it is a manhua, it’s in full color. Also, if you’re watching any of the other versions of this, I suspect that manhua streamlines some stories.
As always, it’s up to you.
I’m just glad I finally have something I can talk to all the xianxia fans about.